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Bjornstjerne Bjornson

Bjørnstjerne Martinus Bjørnson (8 December 1832 - 26 April 1910) was a Norwegian writer and the 1903 Nobel Prize in Literature laureate. Bjørnson is considered as one of "The Great Four" Norwegian writers; the others being Henrik Ibsen, Jonas Lie, and Alexander Kielland.[citation needed] Bjørnson is celebrated for his lyrics to the Norwegian National Anthem, "Ja, vi elsker dette landet".

Childhood and education

Bjørnson was born at the farmstead of Bjørgen in Kvikne, a secluded village in the Østerdalen district, some sixty miles south of Trondheim. In 1837 Bjørnson's father, who was the pastor of Kvikne, was transferred to the parish of Nesset, outside Molde in Romsdal. It was in this scenic district that Bjørnson spent his childhood. After a few years studying in the neighboring city Molde, Bjørnson was sent to Heltbergs Studentfabrikk in Christiania to prepare for university, at the age of 17. He had realized that he wanted to pursue his talent for poetry (he had written verses since age eleven). Bjørnson matriculated at the University of Oslo in 1852, soon embarking upon a career as a journalist, focusing on criticism of drama.

Early production

In 1857 Bjørnson published Synnøve Solbakken, the first of his peasant novels. In 1858 this was followed by Arne, in 1860 by En glad Gut (A Happy Boy), and in 1868 by Fiskerjenten (The Fisher Maiden). These are the most important specimens of his bonde-fortellinger or peasant tales.

Bjørnson was anxious "to create a new saga in the light of the peasant," as he put it, and he thought this should be done, not merely in prose fiction, but in national dramas or folke-stykker. The earliest of these was a one-act piece set in the 12th century, Mellem Slagene (Between the Battles), written in 1855 and produced in 1857. He was especially influenced at this time by the study of Jens Immanuel Baggesen and Adam Gottlob Oehlenschläger, during a visit to Copenhagen. Mellem Slagene was followed by Halte-Hulda (Lame Hulda) in 1858, and Kong Sverre (King Sverre) in 1861. His most important work to date was the poetic trilogy of Sigurd Slembe (Sigurd the Bad), which Bjørnson published in 1862.

The mature author

At the close of 1857 Bjørnson had been appointed director of the theater at Bergen, a post which he held for two years, when he returned to Christiania. From 1860 to 1863 he traveled widely throughout Europe. Early in 1865 he undertook the management of the Christiania theatre, and brought out his popular comedy of De Nygifte (The Newly Married) and his romantic tragedy of Mary Stuart in Scotland. In 1870 he published Poems and Songs and the epic cycle Arnljot Gelline; the latter volume contains the ode Bergliot, one of Bjørnson's finest contributions to lyrical poetry.

Between 1864 and 1874, Bjørnson displayed a slackening of the intellectual forces very remarkable in a man of his energy; he was mainly occupied with politics and with his business as a theatrical manager. This was the period of Bjørnson's most fiery propaganda as a radical agitator. In 1871 he began to supplement his journalistic work by delivering lectures throughout Scandinavia.

From 1874 to 1876 Bjørnson was absent from Norway, and in the peace of voluntary exile he recovered his imaginative powers. His new departure as a dramatic author began with En fallit (A Bankruptcy) and Redaktøren (The Editor) in 1874, social dramas of an extremely modern and realistic cast.

The "national poet"

Bjørnson settled on his estate of Aulestad in Gausdal. In 1877 he published another novel, Magnhild, in which his ideas on social questions were seen to be in a state of fermentation, and gave expression to his republican sentiments in the polemical play Kongen (The King). In a later edition of the play, he prefixed an essay on "Intellectual Freedom" in further explanation of his position. Kaptejn Mansana (Captain Mansana), an episode of the war of Italian independence, was written in to 1878.

Extremely anxious to obtain full success on the stage, Bjørnson concentrated his powers on a drama of social life, Leonarda (1879), which raised a violent controversy. A satirical play, Det nye System (The New System), was produced a few weeks later. Although these plays of Bjørnson's second period were greatly discussed, few were financially successful.

Bjørnson produced a social drama, En Handske (A Gauntlet), in 1883, but was unable to persuade any manager to stage it except in a modified form. In the autumn of the same year, Bjørnson published a mystical or symbolic drama Over AEvne (Beyond Powers), dealing with the abnormal features of religious excitement with extraordinary force; this was not acted until 1899, when it achieved a great success.

Political interests

From his youth and forwards, Bjørnson admired Henrik Wergeland, and became a vivid spokesman for the Norwegian Left-wing movement. In this respect, he supported Ivar Aasen, and joined forces in the political struggles in the 1860s and -70s. When the great monument over Henrik Wergeland were to be erected in 1881, it came to political struggle between left and right, and the left-wing got the upper hand. Bjørnson held the speech on behalf of Wergeland, and also honouring the constitution and the farmers.

Bjørnson's political opinions had brought upon him a charge of high treason, and he took refuge for a time in Germany, returning to Norway in 1882. Convinced that the theater was practically closed to him, he turned back to the novel, and published in 1884 Det flager i Byen og paa Havnen (Flags are Flying in Town and Port), embodying his theories on heredity and education. In 1889 he printed another long and still more remarkable novel, Paa Guds veje (On God's Path), which is chiefly concerned with the same problems. The same year saw the publication of a comedy, Geografi og Kaerlighed (Geography and Love), which met with success.

A number of short stories, of a more or less didactic character, dealing with startling points of emotional experience, were collected and published 1894. Later plays were a political tragedy called Paul Lange og Tora Parsberg (1898), a second part of Over AEvne (Beyond Powers II) (1895), Laboremus (1901), På Storhove (At Storhove) (1902), and Daglannet (Dag's Farm) (1904). In 1899, at the opening of the National Theatre, Bjørnson received an ovation, and his saga-drama of Sigurd the Crusader was performed at the opening of Nationaltheatret in Oslo.

A subject which interested him greatly was the question of the bondemaal, the adopting of a national language for Norway distinct from the dansk-norsk (Dano-Norwegian), in which most Norwegian literature had hitherto been written. At an early stage, before 1860, Bjørnson had himself experimented with at least one short story written in landsmål. The interest, however, did not last, and he soon abandoned this enterprise altogether. Afterwards, he regretted that he never felt he gained the mastery of this language. Bjørnson's strong and sometimes rather narrow patriotism did not blind him to what he considered the fatal folly of such a proposal, and his lectures and pamphlets against the målstraev in its extreme form were very effective. His attitude towards this must have changed sometime after 1881, as he still spoke on behalf of the farmers at this point. Although he seems to have been supportive of Ivar Aasen and friendly towards farmers (in the peasant-novels), he later denounced this, and stated in 1899 that there was limits to a farmer's cultivation. I can draw a line on the wall. The farmer can cultivate himself to this level, and no more, he wrote in 1899. Rumour has it that he had been insulted by a farmer at some point, and came with the statement in sheer anger. In 1881, he spoke of the farmer's clothing borne by Henrik Wergeland, and his opinion then states that this garment, worn by Wergeland, was "of the most influential things" in the initiation of the national day. Bjørnson's attitude towards the farmers remain ambiguous. One has to remember that his father himself was a farmer's son.

Last years

Bjørnson was, from the beginning of the Dreyfus Affair, a staunch supporter of Alfred Dreyfus, and, according to a contemporary, wrote "article after article in the papers and proclaimed in every manner his belief in his innocence".

Bjørnson was one of the original members of the Nobel Committee, and was re-elected in 1900. In 1903 he was awarded the Nobel Prize in Literature.

Bjørnson had done as much as any other man to rouse Norwegian national feeling, but in 1903, on the verge of the rupture between Norway and Sweden, he preached conciliation and moderation to the Norwegians.

He died on April 26, 1910 in Paris, where for some years he had spent his winters, and was buried at home with every mark of honor. The Norwegian coastal defence ship HNoMS Norge was sent to convey his remains back to his own land.

Sources
  • Georg Brandes , Critical Studies of Ibsen and Bjørnson (1899)
  • William Morton Payne, Björnstjerne Björnson, 1832-1910 (1910)
  • Christen Christian Dreyer Collin , Bjørnstjerne Bjørnson hans barndom og ungdom (1923)
  • Harold Larson, Bjørnstjerne Bjørnson: A Study in Norwegian Literature (1944)
  • Eva Lund Haugen and Einar Haugen, Bjørnson: Land of the free. Bjørnstjerne Bjørnson's American Letters 1880-1881 (1978)
  • Einar Haugen, The Vocabulary of Bjørnson's Literary Works (1978)
  • Per Amdam, Bjørnstjerne Bjørnson (1978)

This biography was taken verbatim from the Wikipedia. We're providing a snapshot just in case the Wikipedia servers were temporarily unreacheable. The original page is not only much more up-to-date, it also features links to other pages and sites. This snapshot was last updated: 08/28/2009. (mm/dd/yyyy)

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